The Marriage of Figaro, Opera North, Leeds Grand Theatre (coming to the Lowry, Salford, on February 21)

THE play on which this opera was based was banned by the French king for seven years because of its revolutionary ideas, namely that the servant is cleverer than his master and that women are cleverer than men. It's a complicated tale of plot and counter plot.

This production is performed in English, which helps the audience follow the many twists. This makes it easy to understand, bringing out the humour. Mozart's music is glorious, and all the arias are fabulous.

Figaro is played by the world class baritone Christopher Purves, whose acting was believable throughout. Lecherous Count Almaviva, portrayed by Roderick Williams, has faultless comic timing and carries the part with the style of Antonio Banderos.

Countess Almaviva is sung by Majella Cullagh.

A gauche Cherubino, Emer McGilloway, almost stole the show, but that honour was snatched from her by Antonio the gardener.

An enjoyable and accessible production of a firm favourite.

BRENDA KEAN