French producer Agoria's latest single is a befuddling mixture of styles that never quite comes together.
A moody electro bassline is accompanied by a soft, almost R&B-style male vocal and a discordant synth part that could have come from The Terminator soundtrack composer Brad Fiedel's reject bin back in 1984.
Remixes include an horribly drawn-out minimal take from Radio Slave and the original album version.
Confusing and unsatisfying.
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